Commission – Engraved Bangle

This lovely little commission went through the workshop over the summer, the engraved detail comes from a drawing the recipient did on her 21st Birthday.

Edward Smith Bangle 2013 A

The engraving stretches around the front face of the bangle and I was really pleased to get such an interesting design to work into a piece. The main body of the bangle is a reversed D section, with the comfortable curve next to the wrist and the larger, flat surface area facing out to take the engraving.

If you’d like something special commissioned  yourself then do get in touch.

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Luxe by Me at London Jewellery Week 2012

I’m off to the big smoke next week for this brand new London Jewellery Week event in Chelsea:

… do come along, shop and say hello!

Beautiful Seaside basics …

I’ve been feeling the need for things to be a little simpler lately. Don’t get me wrong, I adore my new Beachcomber pieces but I also like wearing neat, simple everyday jewellery that can handle a tough week in the workshop and doesn’t need to be taken off when you get in the shower, still half asleep, in the morning.

And, for that matter, it’s nice to have jewellery that you can sleep in.

So a couple of months ago I made myself these:

and I haven’t really taken them out since. Sure, I’ve changed them for more special or dressy occasions but they’ve always gone right back in again after.

They’re silver and lightly reticulated, meaning that they’ve been heated to the point where the silver just begins to turn liquid – then cooled off to preserve the wonderful, slightly rough texture that that leaves behind:

It burnishes up to a lovely, warm glow that looks soft and natural.

I’ve put a small range together:

Simple pendants in silver (with a red gold accent):

Stacks of bangles, also silver with a red gold accent:

and rings (silver and red gold):

which I’m testing myself – they wear beautifully and feel really summery!

You can find the whole range right here

Texture and the frosting wheel …

Obviously I do a lot of etching but, sometimes, I think simple forms look great just with simple textures. I really love a good higgh polished finish but, now that I’m working with Britannia silver I worry that the hard, high polish won’t last when the piece is worn and anyway, there’s nothing like shiny silver for showing fingerprints.

So, in an experimental mood, I popped out of the workshop to Walshes and bought one of these babies:

A frosting wheel.

Honestly, it looks utterly terrifying mounted on my pendant motor – the spines are very fine steel wire and when they’re spinning they look pretty vicious – but I’m assured that it’s fine so long as you’re careful.

I got one of my spare copper samples out and set to it, initially it looks like you’re ruining the surface that you just spent ages sanding but, once you build up the texture, it’s quite lovely:

It grows into a nice, soft sheen that has a soft sparkle and is ever so slightly rough to touch.

Now, hand me a silver one to test it on …

Press Form Practice #4

So, where was I with my press forming?

Ah, yes – earrings:

I’ve played around with the balance and hang of the larger piece a little more and I think I’m finally settled. I much prefer slightly asymmetric shapes to the precise structure of symmetrical ones – these look a little more like the fish/boats and sea of the coast that inspired them. I’ve got some new etching patterns in mind to decorate them too.

So far the range is shaping up like this:

though there’s at least another large brooch form already cut and waiting to be sampled on my bench …