Caddy Spoon

I make some long handled tea spoons that have been part of my stand for a while now and, at a recent show, I took a commission for a caddy spoon version.

A Caddy Spoon is not an item that I’ve made before but is somehing that I’ve wanted to try for a while. I had a little drawing of the customer’s tea caddy and a fair idea of what would suit – knowing that they already liked my tea spoons. So I set about cutting the bowl of the spoon and raising it up then trimming it to back to a shape that I liked.

I had a few issues with the size of the handle – my long handled tea spoons have 4mm round handles but that just looked way too light weight once it was cut to the right length for this short handled caddy spoon. So I took the dimensions up to around 5mm round and think that it balances much better now. It certainly feels nicer in your hand and I’m a lot happier with the design knowing that I changed the weight of the handle.

Here’s a few images of the work in progress …

and the finished spoon, ready to go for hallmarking:

All set for Open Studios:

I set the workshop up today for the Centrepiece Open Studios:

It was nice to have a bit of a spring clean, blow the dust off the lamps and lay out my wares in the workshop again. I had a few visitors this afternoon (we trialed an evening opening this year which I think worked quite well) and hopefully there’ll be some more tomorrow. Drop by if you’re in Birmingham to see me – and the 30 other Centrepiece members and guests who’ll be opening their workshops:

Centrepiece Jewellery Quarter Open Studios Map

Centrepiece Open Studios map – Click to enlarge

 

Stacking rings …

I had a little time this week to make some new seaside rings, ready for my trip to Malvern next week:

I made some little 3 or 4 ring stacks in a mix of sizes …

Fixed on some decoration …

Pickled them clean …

and got them ready for a good polishing next week …

British Craft Trade Fair 2012 – Jewellery Newcomers

The newcomers section at this year’s British Craft Trade Fair was an especially vibrant and lovely place, filled with exciting ideas and makers keen to talk about their work and how their businesses are developing.

Emily Knight:

Emily Knight's Stand

Emily Knight trained up in Glasgow and her work has a beautiful emphemeral quality about it. She displayed her distinctive silver and enamel pieces against hand drawn sketches – which looked so wondefully natural that you can’t help feeling that the walls were an extention of her sketchbook.

Emily Knight, Brooches

She’s got a wondeful eye for setting colours together without the enamels looking harsh and the fun, quirky details (like the little silver bicycles) makes them wonderful and light.

Emily Knight, bangles

Maneggi:

Then, just down the aisle from me was this lovely stand:

Maneggi - Ribbon Jewellery

featuring work from Maneggi, who, well – has a thing for ribbons … and wonderfully sculptural things she does with them too. With a really sensitive eye for colour she combines ribbons and pearls into little wearable structures:

Maneggi, Aqua and Pearl

 

They have quite a soft, vintage feel which is given a classic edge by her use of the pearls and other beads that give form to her pieces.

Karen Fox:

Karen Fox Jewellery Stand

And just one aisle over was the work of Karen Fox, another recent graduate with a passion for neat, structured pieces built up out of layers of texture. Her larger scale ruffle pieces (like the collar that you can just see on the left) wouldn’t look out of place at the ballet and have a defnite theatrical, Elizabethan flavour that makes you want to layer them up into giant sculptures.

Karen Fox, Ruffle Series

The whole show catalogue is online here for you to get a flavour of just how much craft work was on show.

It was a truly stunning collection of work from new and established makers alike which gives me a lot of hope for the future of the creative industries in the UK – it’s really wonderful to be working in so vibrant a marketplace.

Beautiful Seaside basics …

I’ve been feeling the need for things to be a little simpler lately. Don’t get me wrong, I adore my new Beachcomber pieces but I also like wearing neat, simple everyday jewellery that can handle a tough week in the workshop and doesn’t need to be taken off when you get in the shower, still half asleep, in the morning.

And, for that matter, it’s nice to have jewellery that you can sleep in.

So a couple of months ago I made myself these:

and I haven’t really taken them out since. Sure, I’ve changed them for more special or dressy occasions but they’ve always gone right back in again after.

They’re silver and lightly reticulated, meaning that they’ve been heated to the point where the silver just begins to turn liquid – then cooled off to preserve the wonderful, slightly rough texture that that leaves behind:

It burnishes up to a lovely, warm glow that looks soft and natural.

I’ve put a small range together:

Simple pendants in silver (with a red gold accent):

Stacks of bangles, also silver with a red gold accent:

and rings (silver and red gold):

which I’m testing myself – they wear beautifully and feel really summery!

You can find the whole range right here

British Craft Trade Fair 2012

I spent the weekend at the British Craft Trade Fair introducing some of my work to trade buyers and getting the first real public reaction to the new beachcomber pieces. I’ve never independantly taken my work to a trade show before but the whole expereince was overwhelmingly positive.

The show had over 400 stands filled with handmade, british contemporary craft and the high standard of the work on show was inspiring. It was wonderful to be in such creative company and everyone was so nice. Working on your own it’s easy to forget how many other people are working and learning about handmaking all the time too – and I swapped a few good stories and bits of advice with the other exhibitors.

Anyway, it wasn’t all about us jewellers talking shop – here’s how my stand looked for the show:

I’m really quite pleased with how much I got into a 1m x 2m space and the clean minimal look that the white walls gave it all. I generally have more space at retail shows but I think I’ll keep using this set up, only with a bigger table top …

Serendipity #3: Getting close to finished …

I ventured into the Jewellery Quarter on a Sunday today for the first time in aaages to get these pieces all ready to go off to Assay on Monday. There’s a couple of new pendant designs (and some more studs):

Plus, I got the pieces of that big new necklace sanded:

Satined:

and almost ready to string together:

Serendipity #2: making …

I set to work bright and way too early this morning on the piece with those coral stones from yesterday:

Cutting forms (carefully numbered so that I get one of each half … )

Then soldering, filing and sanding to shape.

and it’s looking most promising.

I’ll put the final finish on soon …

Press Form Practice #7:

I got the acid out today and etched some little studs to test the textures.

I matted them afterwards for nice, washed-up-on-the-coast feel and had a play with finishes:

These are patinated black and left matte:

I like it on the earrings but I think it might be a bit too much when you get up to the brooch scale …

The form in these pieces is really important and in a way I think that having such a strong etch might have taken away from that.

I’ll take some pictures over the weekend of the plain frosted ones and the etched ones together and see how they compare …