Workshop renovations are coming on apace, with the last coat of paint due to go on the walls tomorrow I’ve roped in some wonderful helpers to build benches, put up an awful lot of scavenged worktop and generally aid in making the place ship shape. And all I had to do was feed them.
Seriously though, I couldn’t have done this without the generous help that I’ve received along the way so far – and can’t wait to move in to the finished space.
These are my lovely new etched napkin rings, just back from the photographers. They’re the first round pair of napkin rings that I’ve done and, while the etch was a little challenging (especially on the inside of one!) I think that they’ve come out wonderfully.
A secluded January in the studio has given me time to think about some new ideas and where I want to start taking my work in 2014. I’ve been busy already, starting to etch on a larger scale (more of that later) and beginning to work on some new pieces of silverware for my exhibition stand.
Here’s a sneaky peak at some rocking Tidal napkin rings, works in progress:
I recently spent the weekend at Desire in London surrounded by a wonderful collection of jewellery and silverware from some of the finest makers in the country. In the heart of Kensington the event has just moved into, hopefully, a new permanent home where it can grow and build up quite a following.
Besides the jewellery on show it was encouraging and inspiring to see so much silverware represented – British Silverweek brought a considerable amount of new talent with it to sit alongside more established makers like Andrew MacGowan and Esther Lord.
Showed a sumptuous little selection of her neat, smoothly curving vessels, off set by their jagged tops and beautifully tactile in form.
Brought this little vessel along – just look at the beautiful, intricate detailing on the lid:
it makes what could be quite a heavy piece feel delicate – and makes a lovely feature of the hinge.
and I had a quick chat with Kathrine Hinton who makes use of some wonderful new technologies (computer modelling, digital hammer blows and some very fine rapid prototyping) to produce tiny, detailed vessels and jewellery with surfaces that you just want to hold and explore:
Today I set my work up at Birmingham’s annual selling exhibition of contemporary jewellery and silverware. Centrepiece, now in it’s 15th year is a showcase for some of the best makers in the Jewellery Quarter and well worth a visit (though I say so myself …)
This year some new and guest designers have joined the show bringing in ideas about ethical gold, recycled work and some inventive use of new technologies. Here are a few of the highlights:
and a sneaky peak at what’s in my cabinet:
The show is open from Thursday 15th November until Sunday 23rd December from 10.30am – 8.30pm (or later) everyday and is staffed by the designers – so you just might be buying work straight from the hands that made it!