New ellipses …

Silver Castings - necklace and jump rings

I collected some new castings in the week and finally got them onto my bench today. I made the original copper models of these, looking at pictures I took of the shapes of little fishing boats moored out in a harbour.

There’s a very definite stripe that runs through the centre, on a curve, which I think I’ll put a bright, burnished edge onto once it’s all cleaned up and joined together.

Until then, here’s an idea of what it will be like when it all comes together:

Goldsmiths Fair 2012 [Week Two]

The end of Septmeber/beginning of October is marked indelibly in the industry calendar as ‘Goldsmiths Fair‘. Now in it’s 30th year the two week event sees some of the nations finest makers of jewellery and silverware gather in London to present new work to visitors in the splendid surroundings of Goldsmiths Hall.

Here’s who I loved this year:

Petya Kapralova :

maker of  sculptural pieces, tableware and desk accessories Kapralova is a new graduate with an eye for balance and beautiful simplicity. Some of her most striking pieces, made from silver and silver inlaid iron (I have no idea how you’d even start to inlay silver in iron, but hats off to her as she makes it sound effortless) play with your expectations and amuse themselves with their inlaid silver ‘reflections’.

Alex Ramsey:

I’ve admired Ramsey’s work for years but haven’t seen much of it in person before. This year, fresh from a trip to Iceland, she was presenting some new pieces that use her trademark saw pierced technique but employ smatterings of enamel too, creating some wonderful textures and sprays of colour over her silverware.

Sarah Pulvertaft:

Forms jewellery from many tiny components, aiming to capture the complexity of nature in her work. In delicate mixes of silver and gold the many tiny forms build up into a larger whole with a subtle, shimmering motion to them which does indeed make them feel like they have a life of their own.

Commissions: Stacking Rings

A little commission for a set of stacking rings went through the workshop last week  (they’re a larger sizer of a design that the customer liked on my stand at a show)

On the peg, before polishing:

Ready to go – the set consists of 2x plain and 2x decorated stacking, reticulated silver rings:

British Craft Trade Fair 2012 – Jewellery Newcomers

The newcomers section at this year’s British Craft Trade Fair was an especially vibrant and lovely place, filled with exciting ideas and makers keen to talk about their work and how their businesses are developing.

Emily Knight:

Emily Knight's Stand

Emily Knight trained up in Glasgow and her work has a beautiful emphemeral quality about it. She displayed her distinctive silver and enamel pieces against hand drawn sketches – which looked so wondefully natural that you can’t help feeling that the walls were an extention of her sketchbook.

Emily Knight, Brooches

She’s got a wondeful eye for setting colours together without the enamels looking harsh and the fun, quirky details (like the little silver bicycles) makes them wonderful and light.

Emily Knight, bangles

Maneggi:

Then, just down the aisle from me was this lovely stand:

Maneggi - Ribbon Jewellery

featuring work from Maneggi, who, well – has a thing for ribbons … and wonderfully sculptural things she does with them too. With a really sensitive eye for colour she combines ribbons and pearls into little wearable structures:

Maneggi, Aqua and Pearl

 

They have quite a soft, vintage feel which is given a classic edge by her use of the pearls and other beads that give form to her pieces.

Karen Fox:

Karen Fox Jewellery Stand

And just one aisle over was the work of Karen Fox, another recent graduate with a passion for neat, structured pieces built up out of layers of texture. Her larger scale ruffle pieces (like the collar that you can just see on the left) wouldn’t look out of place at the ballet and have a defnite theatrical, Elizabethan flavour that makes you want to layer them up into giant sculptures.

Karen Fox, Ruffle Series

The whole show catalogue is online here for you to get a flavour of just how much craft work was on show.

It was a truly stunning collection of work from new and established makers alike which gives me a lot of hope for the future of the creative industries in the UK – it’s really wonderful to be working in so vibrant a marketplace.

Beautiful Seaside basics …

I’ve been feeling the need for things to be a little simpler lately. Don’t get me wrong, I adore my new Beachcomber pieces but I also like wearing neat, simple everyday jewellery that can handle a tough week in the workshop and doesn’t need to be taken off when you get in the shower, still half asleep, in the morning.

And, for that matter, it’s nice to have jewellery that you can sleep in.

So a couple of months ago I made myself these:

and I haven’t really taken them out since. Sure, I’ve changed them for more special or dressy occasions but they’ve always gone right back in again after.

They’re silver and lightly reticulated, meaning that they’ve been heated to the point where the silver just begins to turn liquid – then cooled off to preserve the wonderful, slightly rough texture that that leaves behind:

It burnishes up to a lovely, warm glow that looks soft and natural.

I’ve put a small range together:

Simple pendants in silver (with a red gold accent):

Stacks of bangles, also silver with a red gold accent:

and rings (silver and red gold):

which I’m testing myself – they wear beautifully and feel really summery!

You can find the whole range right here