The end of Septmeber/beginning of October is marked indelibly in the industry calendar as ‘Goldsmiths Fair‘. Now in it’s 30th year the two week event sees some of the nations finest makers of jewellery and silverware gather in London to present new work to visitors in the splendid surroundings of Goldsmiths Hall.
maker of sculptural pieces, tableware and desk accessories Kapralova is a new graduate with an eye for balance and beautiful simplicity. Some of her most striking pieces, made from silver and silver inlaid iron (I have no idea how you’d even start to inlay silver in iron, but hats off to her as she makes it sound effortless) play with your expectations and amuse themselves with their inlaid silver ‘reflections’.
I’ve admired Ramsey’s work for years but haven’t seen much of it in person before. This year, fresh from a trip to Iceland, she was presenting some new pieces that use her trademark saw pierced technique but employ smatterings of enamel too, creating some wonderful textures and sprays of colour over her silverware.
Forms jewellery from many tiny components, aiming to capture the complexity of nature in her work. In delicate mixes of silver and gold the many tiny forms build up into a larger whole with a subtle, shimmering motion to them which does indeed make them feel like they have a life of their own.
My workshop windows look out over Key Hill cemetery and it’s a hidden part of the Jewellery Quarter that I’m really rather fond of.
When I moved into the area many years ago the sandstone gates were in seriously bad repair but, over the past few years a lot of restoration (mainly funded by the fine efforts of FKWC) has gone on throughout the Quarters two Victorian cemeteries. A week or so ago the scaffolding came down from the Key Hill gate posts on Key Hill Drive after what looks like a final round of restoration.
I spent the weekend at the British Craft Trade Fair introducing some of my work to trade buyers and getting the first real public reaction to the new beachcomber pieces. I’ve never independantly taken my work to a trade show before but the whole expereince was overwhelmingly positive.
The show had over 400 stands filled with handmade, british contemporary craft and the high standard of the work on show was inspiring. It was wonderful to be in such creative company and everyone was so nice. Working on your own it’s easy to forget how many other people are working and learning about handmaking all the time too – and I swapped a few good stories and bits of advice with the other exhibitors.
Anyway, it wasn’t all about us jewellers talking shop – here’s how my stand looked for the show:
I’m really quite pleased with how much I got into a 1m x 2m space and the clean minimal look that the white walls gave it all. I generally have more space at retail shows but I think I’ll keep using this set up, only with a bigger table top …